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Andreas N. Fischer is a leading representative of the digital art movement in Germany. His works make an organic impression and remind the viewer of expressionist art made with the finest… Read more
Intro Bio
Andreas N. Fischer is a leading representative of the digital art movement in Germany. His works make an organic impression and remind the viewer of expressionist art made with the finest brushstrokes – except that, working with digitisation, Fischer has hit upon an entirely different approach. His computer-generated colour games are made using a digital process that the artist merely “sets in motion” but then leaves alone.
As the powerful streams of colour ineluctably flow into one another, their course is nearly impossible to control.
Fischer’s diverse body of work shows how he uses modern means to produce a completely new form of artistic expression. His impressive snapshots, videos and installations point the way for the next generation.
Infinite Void consists of a series of images that were rendered using special generative software. A swarm-like accumulation of particles moves across the surface, leaving behind overlapping traces. Over time, this process creates a unique composition whose development cannot be predicted. The software analyses a sequence of images on the basis of the original colour values, which it then paints using colour like a paintbrush. The paths taken by the various lines are influenced by deterministic randomness. After a predefined period of time, a new image is used as the composition’s starting point and all values determining form and direction of movement are reset. The transition between the images is seamless and barely perceptible. The high degree of abstraction and the intense colours address a wide range of associations, and the seeming void is filled with all the visual associations produced by the imagination.
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